In a world where a bowl of yogurt takes control of the United States government and charges its leaders with fixing the economy via a strict, but perfect plan, the only fallacy, as it is in real life, is human greed.

“Love, Death & Robots” (or “LDR”) is a collection of animated short stories that reach into different genres such as science fiction, fantasy, horror, and comedy. Each episode debuts its own art style, actors, and universe, which kept me at the edge of my seat for every episode.

The first episode in the Netflix series, “Sonnies Edge,” is a sci-fi, cyberpunk action episode where a female gladiatorial protagonist takes control of an alien to fight in what seems to be an underground arena for sport and money. “Sonnies Edge” is also a story about vengeance and strength. The visuals are stunning, with an incredible amount of attention to detail. Each character and monster has its own unique style that clearly sets them apart from the rest.

In the second episode, “Three Robots,” there are three sentient, deadpan robots exploring post-apocalyptic Earth trying to learn more about how the humans lived while on a vacation. Each robot has their own personality, and the humor between them is dark, unattached, and inquisitive. The truth about the end of the world is hilarious and plausible.

From the first episode, “LDR” makes it very clear that some of the episodes are going to be very risqué. The third episode, “The Witness,” is a complete mind-bender that tells the story of an exotic dancer who witnesses a murder. The entire episode is a thrilling chase through a city with lots of blood, nudity, with an intense twist at the end.

The rest of the episodes include anything from stories of Dracula, how Yogurt came to rule Earth, alternate histories where Adolph Hitler died at a younger age, mech suits, cyborgs, and an immortal robot artist searching for the most beautiful thing imaginable. By the end of the show, expect to have seen full frontal nudity of male, female, and infernal bodies alike, and copious amounts of blood, red or otherwise.

Episodes range from 6 to 17 minutes. You can watch a handful of episodes in the time it takes to watch the new “Game of Thrones” (Who wants to pay for HBOgo anyway?), and there is so much more to enjoy.

Some episodes are adaptations of popular stories such as a rendition of “127 Hours,” titled “Helping Hand.”

The show sports different directors and artists for most works, and differ greatly from one another. The two Alastair Reynolds adaptations, “Zima Blue” and “Beyond the Aquila Rift,” are both solid sci-fi stories. With good twists and beautifully-realized plots, both of these episodes rank among my favorites in the series.

“Love Death & Robots” is the quintessential series to watch in 2019. It’s raunchy, beautiful, intense, scary, and filled to the brim with strong messages that relate to the world around us.  I give “Love, Death & Robots” a nine out of 10.